Friday the 13th (1980)
Rating: +
If ever there was a horror film that didn't deserve the love of an audience it's Friday the 13th.
I've watched the film three times trying to figure out the appeal it has on its fan base and still I'm not been able to understand why so many people have affection for it. The artistic merit of Friday the 13th is completely nil. All we have here is young people having sex and being murdered, viciously, without any good reason except to see blood spilled. If this is the kind of film for you where nothing really interesting happens, if all you want is boobs, guts and characters shallower then the kiddie pool then by all means see this film. I will admit the ending did have a thrill or two yet this certainly does not forgive the rest of the movie from being a heartless, lifeless, boring piece of tripe.
The film is set in the fictional Camp Crystal Lake, where teenagers are going back to the camp to get it ready for the summer. The conversations these kids have while driving to and staying at the camp have very little thought behind them. When they arrive at their destination they are slowly killed off one by one by a mysterious murderer who doesn't show his face until the very end.
That's it! That is the whole damn plot for the movie!
Is it Short? Yes.
I could write more about Friday the 13th but really that is all you need to know.
Some would question if this is similar to the plot of Halloween, another slasher film that Friday the 13th is obviously ripping off.
I say: Yeah, so what!
It is similar to Halloween however that film is heavy on atmosphere, good dialogue and a director who knows how to make a good horror film.
Friday the 13th is nearly devoid of all artistic merit. This can be blamed on a variety of things: the bad acting, the dreadful score, the way in which the director fails to build up suspense and leaves the audience unafraid and pissed off. There is barely a shred of talented film making in the whole film. How many times can you say that of a movie which made 39.7 millions dollars at the box office? Answer: Not too many. I'm guessing the people who left those theaters, who have a heart and brain, felt cheated and again, mighty pissed off.
Later on in Friday the 13th, we are told that years before at the camp, a mentally challenged boy drowned because two counselors were too busy having sex instead of watching the child. But look where this information comes out.
It happens near the end of the film just before the murderer is reveal, meaning the writer didn't plan out his screenplay or simply didn't revise it. He added a new character just to make sense out of an ending that quite frankly, the audience shouldn't care about.
The name of this article is Ultra Hip Classic Movie Review. I only review movies which are ten years older or more. Even if the film is good, ten years old seems the right age for a film to be called a classic.
Friday the 13th is certainly more then ten years old and yet, in my mind, it should never have been made in the first place.
Tuesday, February 28, 2012
Monday, February 27, 2012
Ultra Hip Side by Side Comparison: Vampires vs. Werewolves
When we think of creatures of the night, we think of these two monsters. Evil in very different ways, one usually hates what he becomes as the moon is full and bright while the other is a corpse who rises from the grave to take nourishment from the living. In a way, they should be pity, even if they need to be destroyed. Lets get to it.
Werewolves:
As long as there have been people to tell each other yarns for amusement or education, they're have always been tales about human beings changing into these blood-thirsty beasts. We have a word for this so called disease or curse: lycanthropy.
In modern psychology, lycanthropy is word not often thrown around, mostly because very few people suffer from the ailment. But yes, there are people in the world who believe themselves to be animals of some kind even though they look like you or me. Okay, maybe not like me, I'm pretty hairy. But normal.
During the times when human psychology was still very young and underdeveloped, when people were murdered in ways quite foul, we'd often blame the violent deaths on beasts like Vampires and Werewolves. Most likely, these kinds of murders were committed by serial killers but back then we didn't know or chose not to understand humans had it in them to be a real monster, so the idea of a supernatural beast doing the killings made them feel a little better.
“Ahh, I didn't do it,” said the murdering psychopath, “It was the werewolf. Yeah. He stole my wallet too, I had two credit cards, a bunch of receipts and a girl's number I was going to call but got too scared and hung up....the bastard!” (Eyes rolling).
In nearly every culture society of mankind's past the idea of a person turning into a wolf is documented however leaving out a few details as to how this was done. Let's face it, if we knew how, grown men would use this method of growing hair instead of those morons at Bosely, we'd be the ultimate Chiai Pet. The same is true for vampires as well, meaning the monsters of classic cinema and horror literature is just as old as mankind itself.
In Native American culture people who can transform themselves into animals were called Skin-Walkers and, as in the case of the Algonquian, they have a version of the skin-walkers called Wendigo. In Louisiana a creature known as Rougarou takes on a wolf appearance. Also, it does not have to be a wolf these people turn into, more so it can be a panther, a deer or some other beast. In South America, dolphin-men have been known about for quite a long time. In Greece, there is a man-bear. Why mankind chooses to focus on the wolf, I consider a great mystery about human beings and wolves in general.
There are many ways written about as to how to become a werewolf. One widely known in the past is a person who has studied magic well enough so they can change their form at will (The Willing), or people who's had magic thrust upon them (The Unwilling). These are complex ways to change into a beast but there are other, more simplistic methods as well. Another way is to drink water from an animal footprint. Yet another is when we use to patch a hole on our clothing with that of a wolf, a small hole, one not big enough to use the whole animal, hence you are being wasteful and as punishments you are turned into a wolf. In popular culture, a man can turn into a wolf by being bitten by a werewolf then living through the experience however in records of past societies this is usually not the case.
Dealing with a werewolf, stopping a such a creature from committing murderous acts is known in modern culture by killing them with something silver, an axe or bullet made from the metal. This notion was created by fiction writers in the mid-1930’s however this was just a simple way in which to handle the beast and get it out of your hair. More then likely, the beast had loved ones and instead of wanting them dead they try to cure them, with the likes of exorcism, wolfsbane and physical stress.
Werewolves have been with us for many thousands of years. With the current cultural fascination by the myths of these creatures, they will continue on for another thousand, especially if Kate Beckinsale is in a movie with werewolves and she's wearing skin-tight leather.
That's just good filmmaking people.
Vampires:
Like the werewolf, vampires have been around for generations. Commonly, they are known to partake of the blood of an innocent, to spread their sickness and death by biting a living person. However, for a long time, this was not how a person became a vampire.
One of the cardinal ways in which a dead person could change into a bloodsucker and kill their neighbors was for the disrespect the living showed towards the dead. If a person was not buried in the proper way - having been buried upside down or if the living placed farm tools near the dead's resting spot - it was often assumed, be it to the gullible, the dead would arise from their grave and attack the living. Another way, this from Greek Myths, to make a vampire would be if the living didn't place two coins on the eyes of a recently deceased person so they couldn't pay the fairy man to cross the River Styx. Some communities were so scare that Aunt Paula would come back to life, in some cases they would slice the ankles of the dead so they couldn't walk, hence can't attack.
Vampire legends have been different for each culture but all will say the creatures do feed upon the living. Popular culture, to some extent, got the myth right when they said things like crosses and holy water warded off the undead. The extermination of the creature, however is a little more complex then most Hollywood writers have showed in the past.
Stakes through the heart are just one way in which to kill a vampire. The stakes though do not have to be wood but metal in conjunction with beheadings and the removing of the heart so it can be burned. In some cultures however, vampires can also be killed by drowning (hence they can't cross running water) and bullets.
One of the best way I've always thought a vampire should be taken care of, if you can, is by doing their funeral a second time and getting it right. Forbid yourself from doing anything terrible, a second time, to you're honored dead so they do not come knocking at you're door.
Remember kiddies the dead won't eat you if you treat them right, also it doesn't hurt if you stink like foul, moldy garlic.
Pizza anyone?
Well….Good Night!
Sunday, February 26, 2012
84th Annual Academy Awards Winners and Nominees
Here are the winners and nominees for the 84th Annual Academy Awards
Best Picture
The Artist Winner!
The Descendants
Extremely Loud & Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse
Best Directing
Woody Allen, Midnight in Paris
Michel Hazanavicius, The Artist Winner!
Terrence Malick, The Tree of Life
Alexander Payne, The Descendants
Martin Scorsese, Hugo
Best Actor
Demián Bichir, A Better Life
George Clooney, The Descendants
Jean Dujardin, The Artist Winner!
Gary Oldman, Tinker Tailor Soldier Spy
Brad Pitt, Moneyball
Best Actress
Glenn Close, Albert Nobbs
Viola Davis, The Help
Rooney Mara, The Girl With the Dragon Tattoo
Meryl Streep, The Iron Lady Winner!
Michelle Williams, My Week With Marilyn
Best Supporting Actor
Kenneth Branagh, My Week With Marilyn
Jonah Hill, Moneyball
Nick Nolte, Warrior
Christopher Plummer, Beginners Winner!
Max von Sydow, Extremely Loud & Incredibly Close
Best Supporting Actress
Bérénice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs
Octavia Spencer, The Help Winner!
Best Adapted Screenplay
The Descendants — Alexander Payne, Nat Faxon, and Jim Rash Winner!
Hugo
The Ides of March
Moneyball
Tinker Tailor Soldier Spy
Best Original Screenplay
The Artist
Bridesmaids
Margin Call
Midnight in Paris — Woody Allen Winner!
A Separation
Best Animated Feature
A Cat in Paris
Chico & Rita
Kung Fu Panda 2
Puss in Boots
Rango — Gore Verbinski Winner!
Best Documentary Feature
Hell and Back Again
If a Tree Falls: A Story of the Earth Liberation Front
Paradise Lost 3: Purgatory
Pina
Undefeated — Daniel Lindsay, T.J. Martin, and Rich Middlemas Winner!
Best Foreign Language Film
Bullhead (Belgium)
Footnote (Israel)
In Darkness (Poland)
Monsieur Lazhar (Canada)
A Separation (Iran) — Asghar Farhadi Winner!
Best Cinematography
The Artist
The Girl With the Dragon Tattoo
Hugo — Robert Richardson Winner!
The Tree of Life
War Horse
Best Film Editing
The Artist
The Descendants
The Girl With the Dragon Tattoo — Angus Wall and Kirk Baxter Winner!
Hugo
Moneyball
Best Art Direction
The Artist
Harry Potter and the Deathly Hallows: Part 2
Hugo — Dante Ferretti and Francesca Lo Schiavo Winner!
Midnight in Paris
War Horse
Best Costume Design
Anonymous
The Artist — Mark Bridges Winner!
Hugo
Jane Eyre
W.E.
Best Makeup
Albert Nobbs
Harry Potter and the Deathly Hallows: Part 2
The Iron Lady — Mark Coulier and J. Roy Helland Winner!
Best Original Score
The Adventures of Tintin
The Artist — Ludovic Bource Winner!
Hugo
Tinker Tailor Soldier Spy
War Horse
Best Original Song
“Man or Muppet,” The Muppets — Bret McKenzie Winner!
“Real in Rio,” Rio
Best Sound Mixing
The Girl With the Dragon Tattoo
Hugo — Tom Fleischman and John Midgley Winner!
Moneyball
Transformers: Dark of the Moon
War Horse
Best Sound Editing
Drive
The Girl With the Dragon Tattoo
Hugo — Philip Stockton and Eugene Gearty Winner!
Transformers: Dark of the Moon
War Horse
Best Visual Effects
Harry Potter and the Deathly Hallows: Part 2
Hugo — Robert Legato, Joss Williams, Ben Grossmann, Alex Henning Winner!
Real Steel
Rise of the Planet of the Apes
Transformers: Dark of the Moon
Best Animated Short Film
Dimanche/Sunday
The Fantastic Flying Books of Mr. Morris Lessmore — William Joyce and Brandon Oldenburg Winner!
La Luna
A Morning Stroll
Wild Life
Best Documentary Short Subject
The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
God Is the Bigger Elvis
Incident in New Baghdad
Saving Face — Daniel Junge and Sharmeen Obaid-Chinoy Winner!
The Tsunami and the Cherry Blossom
Best Live-Action Short Film
Pentecost
Raju
The Shore — Terry George and Oorlagh George Winner!
Time Freak
Tuba Atlantic
Best Picture
The Artist Winner!
The Descendants
Extremely Loud & Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse
Best Directing
Woody Allen, Midnight in Paris
Michel Hazanavicius, The Artist Winner!
Terrence Malick, The Tree of Life
Alexander Payne, The Descendants
Martin Scorsese, Hugo
Best Actor
Demián Bichir, A Better Life
George Clooney, The Descendants
Jean Dujardin, The Artist Winner!
Gary Oldman, Tinker Tailor Soldier Spy
Brad Pitt, Moneyball
Best Actress
Glenn Close, Albert Nobbs
Viola Davis, The Help
Rooney Mara, The Girl With the Dragon Tattoo
Meryl Streep, The Iron Lady Winner!
Michelle Williams, My Week With Marilyn
Best Supporting Actor
Kenneth Branagh, My Week With Marilyn
Jonah Hill, Moneyball
Nick Nolte, Warrior
Christopher Plummer, Beginners Winner!
Max von Sydow, Extremely Loud & Incredibly Close
Best Supporting Actress
Bérénice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs
Octavia Spencer, The Help Winner!
Best Adapted Screenplay
The Descendants — Alexander Payne, Nat Faxon, and Jim Rash Winner!
Hugo
The Ides of March
Moneyball
Tinker Tailor Soldier Spy
Best Original Screenplay
The Artist
Bridesmaids
Margin Call
Midnight in Paris — Woody Allen Winner!
A Separation
Best Animated Feature
A Cat in Paris
Chico & Rita
Kung Fu Panda 2
Puss in Boots
Rango — Gore Verbinski Winner!
Best Documentary Feature
Hell and Back Again
If a Tree Falls: A Story of the Earth Liberation Front
Paradise Lost 3: Purgatory
Pina
Undefeated — Daniel Lindsay, T.J. Martin, and Rich Middlemas Winner!
Best Foreign Language Film
Bullhead (Belgium)
Footnote (Israel)
In Darkness (Poland)
Monsieur Lazhar (Canada)
A Separation (Iran) — Asghar Farhadi Winner!
Best Cinematography
The Artist
The Girl With the Dragon Tattoo
Hugo — Robert Richardson Winner!
The Tree of Life
War Horse
Best Film Editing
The Artist
The Descendants
The Girl With the Dragon Tattoo — Angus Wall and Kirk Baxter Winner!
Hugo
Moneyball
Best Art Direction
The Artist
Harry Potter and the Deathly Hallows: Part 2
Hugo — Dante Ferretti and Francesca Lo Schiavo Winner!
Midnight in Paris
War Horse
Best Costume Design
Anonymous
The Artist — Mark Bridges Winner!
Hugo
Jane Eyre
W.E.
Best Makeup
Albert Nobbs
Harry Potter and the Deathly Hallows: Part 2
The Iron Lady — Mark Coulier and J. Roy Helland Winner!
Best Original Score
The Adventures of Tintin
The Artist — Ludovic Bource Winner!
Hugo
Tinker Tailor Soldier Spy
War Horse
Best Original Song
“Man or Muppet,” The Muppets — Bret McKenzie Winner!
“Real in Rio,” Rio
Best Sound Mixing
The Girl With the Dragon Tattoo
Hugo — Tom Fleischman and John Midgley Winner!
Moneyball
Transformers: Dark of the Moon
War Horse
Best Sound Editing
Drive
The Girl With the Dragon Tattoo
Hugo — Philip Stockton and Eugene Gearty Winner!
Transformers: Dark of the Moon
War Horse
Best Visual Effects
Harry Potter and the Deathly Hallows: Part 2
Hugo — Robert Legato, Joss Williams, Ben Grossmann, Alex Henning Winner!
Real Steel
Rise of the Planet of the Apes
Transformers: Dark of the Moon
Best Animated Short Film
Dimanche/Sunday
The Fantastic Flying Books of Mr. Morris Lessmore — William Joyce and Brandon Oldenburg Winner!
La Luna
A Morning Stroll
Wild Life
Best Documentary Short Subject
The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
God Is the Bigger Elvis
Incident in New Baghdad
Saving Face — Daniel Junge and Sharmeen Obaid-Chinoy Winner!
The Tsunami and the Cherry Blossom
Best Live-Action Short Film
Pentecost
Raju
The Shore — Terry George and Oorlagh George Winner!
Time Freak
Tuba Atlantic
Saturday, February 25, 2012
The Amazing Spider-Man Rhino Reveal Trailer
Here is a new trailer for The Amazing Spider-Man focuses on Rhino.
Thursday, February 23, 2012
Abraham Lincoln, Vampire Hunter Trailer
Here is a new trailer for Abraham Lincoln, Vampire Hunter.
Yes, let me repeat that: Abraham Lincoln, Vampire Hunter. Which is based on a book called Abraham Lincoln, Vampire Hunter by Seth Grahame-Smith.
Yes, let me repeat that: Abraham Lincoln, Vampire Hunter. Which is based on a book called Abraham Lincoln, Vampire Hunter by Seth Grahame-Smith.
Ghost Recon Future Solider Cover System Trailer
Here is the Cover System Trailer for Ghost Recon Future Solider.
Wednesday, February 22, 2012
2011 Nebula Awards Nominees
Here are the nominees for the 2011 Nebula Awards.
Novel
God’s War, Kameron Hurley (Night Shade)
The Kingdom of Gods, N.K. Jemisin (Orbit US; Orbit UK)
Firebird, Jack McDevitt (Ace)
Embassytown, China Miéville (Del Rey)
Mechanique: A Tale of the Circus Tresaulti, Genevieve Valentine (Prime)
Among Others, Jo Walton (Tor)
Novella
‘‘With Unclean Hands’’, Adam-Troy Castro (Analog 11/11)
‘‘The Ice Owl’’, Carolyn Ives Gilman (F&SF 11-12/11)
‘‘The Man Who Bridged the Mist’’, Kij Johnson (Asimov’s 10-11/11)
‘‘Kiss Me Twice’’, Mary Robinette Kowal (Asimov’s 6/11)
‘‘The Man Who Ended History: A Documentary’’, Ken Liu (Panverse Three)
Silently and Very Fast, Catherynne M. Valente (WSFA)
Novelette
‘‘Six Months, Three Days’’, Charlie Jane Anders (Tor.com 6/8/11)
‘‘The Old Equations’’, Jake Kerr (Lightspeed 7/11)
‘‘What We Found’’, Geoff Ryman (F&SF 9-10/11)
‘‘The Migratory Pattern of Dancers’’, Katherine Sparrow (GigaNotoSaurus 7/11)
‘‘Sauerkraut Station’’, Ferrett Steinmetz (GigaNotoSaurus 11/11)
‘‘Fields of Gold’’, Rachel Swirsky (Eclipse 4)
‘‘Ray of Light’’, Brad R. Torgersen (Analog 12/11)
Short Story
‘‘Her Husband’s Hands’’, Adam-Troy Castro (Lightspeed 10/11)
‘‘Mama, We Are Zhenya, Your Son’’, Tom Crosshill (Lightspeed 4/11)
‘‘Shipbirth’’, Aliette de Bodard (Asimov’s 2/11)
‘‘Movement’’, Nancy Fulda (Asimov’s 3/11)
‘‘The Axiom of Choice’’, David W. Goldman (New Haven Review Winter ’11)
‘‘The Paper Menagerie’’, Ken Liu (F&SF 3-4/11)
‘‘The Cartographer Wasps and the Anarchist Bees’’, E. Lily Yu (Clarkesworld 4/11)
Ray Bradbury Award for Outstanding Dramatic Presentation
The Adjustment Bureau
Attack the Block
Captain America: The First Avenger
Doctor Who: ‘‘The Doctor’s Wife’’
Hugo
Midnight in Paris
Source Code
Andre Norton Award for Young Adult Science Fiction and Fantasy Book
Ultraviolet, R.J. Anderson (Orchard UK; Carolrhoda)
Chime, Franny Billingsley (Dial)
The Girl of Fire and Thorns, Rae Carson (Greenwillow; Gollancz as Fire and Thorns)
The Boy at the End of the World, Greg van Eekhout (Bloomsbury USA)
Everybody Sees the Ants, A.S. King (Little, Brown)
Akata Witch, Nnedi Okorafor (Viking)
The Freedom Maze, Delia Sherman (Big Mouth House)
Daughter of Smoke & Bone, Laini Taylor (Little, Brown)
2011 Damon Knight Grand Master Award: Connie Willis
Novel
God’s War, Kameron Hurley (Night Shade)
The Kingdom of Gods, N.K. Jemisin (Orbit US; Orbit UK)
Firebird, Jack McDevitt (Ace)
Embassytown, China Miéville (Del Rey)
Mechanique: A Tale of the Circus Tresaulti, Genevieve Valentine (Prime)
Among Others, Jo Walton (Tor)
Novella
‘‘With Unclean Hands’’, Adam-Troy Castro (Analog 11/11)
‘‘The Ice Owl’’, Carolyn Ives Gilman (F&SF 11-12/11)
‘‘The Man Who Bridged the Mist’’, Kij Johnson (Asimov’s 10-11/11)
‘‘Kiss Me Twice’’, Mary Robinette Kowal (Asimov’s 6/11)
‘‘The Man Who Ended History: A Documentary’’, Ken Liu (Panverse Three)
Silently and Very Fast, Catherynne M. Valente (WSFA)
Novelette
‘‘Six Months, Three Days’’, Charlie Jane Anders (Tor.com 6/8/11)
‘‘The Old Equations’’, Jake Kerr (Lightspeed 7/11)
‘‘What We Found’’, Geoff Ryman (F&SF 9-10/11)
‘‘The Migratory Pattern of Dancers’’, Katherine Sparrow (GigaNotoSaurus 7/11)
‘‘Sauerkraut Station’’, Ferrett Steinmetz (GigaNotoSaurus 11/11)
‘‘Fields of Gold’’, Rachel Swirsky (Eclipse 4)
‘‘Ray of Light’’, Brad R. Torgersen (Analog 12/11)
Short Story
‘‘Her Husband’s Hands’’, Adam-Troy Castro (Lightspeed 10/11)
‘‘Mama, We Are Zhenya, Your Son’’, Tom Crosshill (Lightspeed 4/11)
‘‘Shipbirth’’, Aliette de Bodard (Asimov’s 2/11)
‘‘Movement’’, Nancy Fulda (Asimov’s 3/11)
‘‘The Axiom of Choice’’, David W. Goldman (New Haven Review Winter ’11)
‘‘The Paper Menagerie’’, Ken Liu (F&SF 3-4/11)
‘‘The Cartographer Wasps and the Anarchist Bees’’, E. Lily Yu (Clarkesworld 4/11)
Ray Bradbury Award for Outstanding Dramatic Presentation
The Adjustment Bureau
Attack the Block
Captain America: The First Avenger
Doctor Who: ‘‘The Doctor’s Wife’’
Hugo
Midnight in Paris
Source Code
Andre Norton Award for Young Adult Science Fiction and Fantasy Book
Ultraviolet, R.J. Anderson (Orchard UK; Carolrhoda)
Chime, Franny Billingsley (Dial)
The Girl of Fire and Thorns, Rae Carson (Greenwillow; Gollancz as Fire and Thorns)
The Boy at the End of the World, Greg van Eekhout (Bloomsbury USA)
Everybody Sees the Ants, A.S. King (Little, Brown)
Akata Witch, Nnedi Okorafor (Viking)
The Freedom Maze, Delia Sherman (Big Mouth House)
Daughter of Smoke & Bone, Laini Taylor (Little, Brown)
2011 Damon Knight Grand Master Award: Connie Willis
Tuesday, February 21, 2012
Ultra Hip TV Episode of the Week: Star Trek: Deep Space Nine: The Visitor
The Visitor asks a simple yet powerful question and it's not until the end of the episode that we know the answer:
The Question: What are we willing to give up to be with the people we love?
The Answer: Everything.
An elderly Jake Sisko (Tony Todd) sits in his house on a rainy night and awaits someone from his past to arrive. This is an old, worn-down man, where the light in his eyes seems to have gone out after years of pain and loss. Jake needs a second chance at life, something we normal folk have to live without but for Jake Sisko, in this world, he may just get his chance.
Jake receives a knock on the door, opens it and finds a young woman, a writer and admirer of Jake's novels and other fictions. Jake, earlier in life, had written some of the best works of his generation. Mostly the young woman wants to ask a very important question: Why did he stop writing when he had a very promising career.
So, the story begins: Jake (Cirroc Lofton), at the age of 18, goes with his father Captain Ben Sisko (Avery Brooks) on a voyage in the USS Defiant to witness the inversion of the Bajoran Wormhole. As this is happening, the inversion creates an instability in the warp drive, sending out an energy spike which strikes Ben and apparently kills him.
Young Jake is shattered by the death of his father and for a few months he mourns him, until, briefly, The Captain appears to his son again.
Years pass, decades pass and still the Captain keeps showing himself over the course of Jake's life, from a young, promising man to an elderly person with nothing left to lose. Even after Ben tells his son to get on with his life, which he does for a time, Jake still can not let the pain of knowing his father is still alive somewhere. So, Jake puts away his pen and begins studying ways in which to bring his father back home. It's not until later that Jake knows there is only one way to give his father life again, and it will be the hardest, most emotionally piercing ending any Star Trek fan could hope for.
Deep Space Nine lasted seven seasons, the same as TNG a few years ago. As good as the first three seasons were, DS9 really didn't peak until season four. Each Star Trek show had its own voice and style. The Original Series was more of a space opera type of program; TNG was a drama simply set in space; Voyager was an action film showed each week and Enterprise was more akin to what we would see in the 1960s space program only with much more advanced technology.
Deep Space Nine, however, is a show about the darkness of the human soul, about things we can do to slowly change the world even if it meant we would be scared doing so. For this reason, I feel the people who wrote, starred and directed this show is more akin to the characters displayed on the screen then with the near perfect characters in programs like TNG, hence we get more personal kinds of episodes.
The Visitor is a dark program, filled with sadness, hope and personal sacrifice. It has all the qualities of a great Star Trek episode but with a DS9 message. It is the best episode the show has produced.
The Question: What are we willing to give up to be with the people we love?
The Answer: Everything.
An elderly Jake Sisko (Tony Todd) sits in his house on a rainy night and awaits someone from his past to arrive. This is an old, worn-down man, where the light in his eyes seems to have gone out after years of pain and loss. Jake needs a second chance at life, something we normal folk have to live without but for Jake Sisko, in this world, he may just get his chance.
Jake receives a knock on the door, opens it and finds a young woman, a writer and admirer of Jake's novels and other fictions. Jake, earlier in life, had written some of the best works of his generation. Mostly the young woman wants to ask a very important question: Why did he stop writing when he had a very promising career.
So, the story begins: Jake (Cirroc Lofton), at the age of 18, goes with his father Captain Ben Sisko (Avery Brooks) on a voyage in the USS Defiant to witness the inversion of the Bajoran Wormhole. As this is happening, the inversion creates an instability in the warp drive, sending out an energy spike which strikes Ben and apparently kills him.
Young Jake is shattered by the death of his father and for a few months he mourns him, until, briefly, The Captain appears to his son again.
Years pass, decades pass and still the Captain keeps showing himself over the course of Jake's life, from a young, promising man to an elderly person with nothing left to lose. Even after Ben tells his son to get on with his life, which he does for a time, Jake still can not let the pain of knowing his father is still alive somewhere. So, Jake puts away his pen and begins studying ways in which to bring his father back home. It's not until later that Jake knows there is only one way to give his father life again, and it will be the hardest, most emotionally piercing ending any Star Trek fan could hope for.
Deep Space Nine lasted seven seasons, the same as TNG a few years ago. As good as the first three seasons were, DS9 really didn't peak until season four. Each Star Trek show had its own voice and style. The Original Series was more of a space opera type of program; TNG was a drama simply set in space; Voyager was an action film showed each week and Enterprise was more akin to what we would see in the 1960s space program only with much more advanced technology.
Deep Space Nine, however, is a show about the darkness of the human soul, about things we can do to slowly change the world even if it meant we would be scared doing so. For this reason, I feel the people who wrote, starred and directed this show is more akin to the characters displayed on the screen then with the near perfect characters in programs like TNG, hence we get more personal kinds of episodes.
The Visitor is a dark program, filled with sadness, hope and personal sacrifice. It has all the qualities of a great Star Trek episode but with a DS9 message. It is the best episode the show has produced.
Sunday, February 19, 2012
Joe's Writing Update: 2/19/2012
Life didn't suck as bad as it did last week, now I'm just exhausted by it.
I've been sleeping longer than my cat, Happy, these past seven days and she's nearly in a feline coma half the time. I could have the flu but if that's the case it's the weirdest damn flu I ever experienced in my 31 years of getting ill, becoming better then getting sick again. I don't have the sniffles nor am I throwing up and the other things associated with the contagion I'm just tired that's all. I've have been trying to write as much as I can and have been succeeding on this front, enjoying myself between the nearly endless slumber and the hours of being awake yet still fatigued. All the books I've been reading, all the stories and comics which have come my way were pretty good so I'm not too bored, they keep me awake enough just to see what happens next to the characters in those fictions. For a moment, I thought I might have been a vampire but then bloodsuckers don't sleep as much as I have and even then, who the hell would want to suck anything out of me, I'm quite fattening, we live in a health conscientious nation here people.
When I haven't been reading I've been playing my videogame Shank 2, a good game but it wasn't as great as its predecessor. There is something about the difficulty in this game that makes it less enjoyable then the previous game in the series, I don't mind having to replay the game over again in at a certain spawn point but this was like pulling out fingernails each time it happen. I thought for a moment I would stop playing it all together because it was so hard but then I toughen up and went back to it. Finally, after a few hours, I beat it and thank God. Now, I can get on with my life and play something easier, you know like Chess with Jose Raul Capablanca.
Most of the writing I've been spending my time on I've been able to think through without much effort; what can I say people I'm a genius…okay its just been easier, still challenging of course but I wouldn't have it any other way.
But I'm still a genius...maybe...okay idiot savant. Or just idiot. Happy now.
Pretty soon, I'm going to have to outline a few of my upcoming stories. I finally found an ending for my series tales regarding a race I call the Downfall and then there is a novel I have in mind, I have an ending for that as well.
Basically the Downfall stories are the back-story for a series of novels I plan to write in the future. I'm still working on the novel, I haven't got the details right in my head yet but I will, it'll just take some time.
As for actually being published, I still have not gotten paid for doing my work. I have been in print before but I sent them away to magazines that don't pay but it would be nice, somewhere down the line when I get paid for doing what I love. I know enough about life to know getting paid and being talented are two different things; one is about luck and the other is just what life gives you through hard work and what you are good at when you enter the world. You don't really need talent to get published yet it doesn't hurt. I also know you can have all the talent in the world and you never get published. I suppose if it makes me happy then I should keep on doing it even if my work never sees the light of day again.
Anyway, that's what's been happening for the past seven days and what'll probably happen in the future. I'm still here Damn it and I'll continue to be here until I draw my last breath or at least I might not notice my last breath, I could just sleep through it.
I've been sleeping longer than my cat, Happy, these past seven days and she's nearly in a feline coma half the time. I could have the flu but if that's the case it's the weirdest damn flu I ever experienced in my 31 years of getting ill, becoming better then getting sick again. I don't have the sniffles nor am I throwing up and the other things associated with the contagion I'm just tired that's all. I've have been trying to write as much as I can and have been succeeding on this front, enjoying myself between the nearly endless slumber and the hours of being awake yet still fatigued. All the books I've been reading, all the stories and comics which have come my way were pretty good so I'm not too bored, they keep me awake enough just to see what happens next to the characters in those fictions. For a moment, I thought I might have been a vampire but then bloodsuckers don't sleep as much as I have and even then, who the hell would want to suck anything out of me, I'm quite fattening, we live in a health conscientious nation here people.
When I haven't been reading I've been playing my videogame Shank 2, a good game but it wasn't as great as its predecessor. There is something about the difficulty in this game that makes it less enjoyable then the previous game in the series, I don't mind having to replay the game over again in at a certain spawn point but this was like pulling out fingernails each time it happen. I thought for a moment I would stop playing it all together because it was so hard but then I toughen up and went back to it. Finally, after a few hours, I beat it and thank God. Now, I can get on with my life and play something easier, you know like Chess with Jose Raul Capablanca.
Most of the writing I've been spending my time on I've been able to think through without much effort; what can I say people I'm a genius…okay its just been easier, still challenging of course but I wouldn't have it any other way.
But I'm still a genius...maybe...okay idiot savant. Or just idiot. Happy now.
Pretty soon, I'm going to have to outline a few of my upcoming stories. I finally found an ending for my series tales regarding a race I call the Downfall and then there is a novel I have in mind, I have an ending for that as well.
Basically the Downfall stories are the back-story for a series of novels I plan to write in the future. I'm still working on the novel, I haven't got the details right in my head yet but I will, it'll just take some time.
As for actually being published, I still have not gotten paid for doing my work. I have been in print before but I sent them away to magazines that don't pay but it would be nice, somewhere down the line when I get paid for doing what I love. I know enough about life to know getting paid and being talented are two different things; one is about luck and the other is just what life gives you through hard work and what you are good at when you enter the world. You don't really need talent to get published yet it doesn't hurt. I also know you can have all the talent in the world and you never get published. I suppose if it makes me happy then I should keep on doing it even if my work never sees the light of day again.
Anyway, that's what's been happening for the past seven days and what'll probably happen in the future. I'm still here Damn it and I'll continue to be here until I draw my last breath or at least I might not notice my last breath, I could just sleep through it.
Labels:
art,
Downfall,
Fiction,
Online Writing,
Savant syndrome
Thursday, February 16, 2012
Call of Duty : MW3 DLC Overwatch Trailer
Here is a new trailer for Call of Duty: MW3 DLC, Overwatch.
Tuesday, February 14, 2012
Alan Wake's American Nightmare Teaser Trailer
Here is yet another teaser, this time for Alan Wake's American Nightmare, focusing on a character called Mr. Scratch.
I’m not quite sure what I just saw but it was interesting.
I’m not quite sure what I just saw but it was interesting.
Mass Effect 3 "Take Back Earth" Teaser Trailer
Here is yet again another Mass Effect 3 Trailer called "Take Earth Back".
It’s short but very sweet.
It’s short but very sweet.
Sunday, February 12, 2012
Lollipop Chainsaw New Trailer
Ahhh….the more I see footage of this game the more I want to play it.
Lollipop Chainsaw is very funny from what I’ve seen so far, also the gameplay looks rather great. Will it be a great game: I don’t know but for what I finding about the game right now, I like it.
Check out the newest trailer.
Lollipop Chainsaw is very funny from what I’ve seen so far, also the gameplay looks rather great. Will it be a great game: I don’t know but for what I finding about the game right now, I like it.
Check out the newest trailer.
Saturday, February 11, 2012
The Amazing Spider-Man Theatrical Trailer
Here is the theatrical trailer for The Amazing Spider-Man.
The Secret World of Arrietty Trailer
Here is a new trailer for The Secret World of Arrietty from Studio Ghibli.
Thursday, February 9, 2012
Shank 2 Launch Trailer
Here is the Launch Trailer for Shank 2, which is already on my X-Box hard drive, as it should be yours but what the hell this is still a good trailer even if you already have it.
Enjoy:
Enjoy:
Seeking A Friend at the End of the World Trailer
Here is a Science Fiction movie, sort of.
Here is Seeking a Friend at the End of the World.
Here is Seeking a Friend at the End of the World.
Snow White and the Huntsman Trailer
How many Snow White movies are being released this year?
I’ve know of two so far and from this trailer for Snow White and the Huntsman, I believe I’ll probably enjoy this more then Mirror Mirror but perhaps I’m speaking too soon. Mirror Mirror might, MIGHT, absolutely rock.
Enjoy:
I’ve know of two so far and from this trailer for Snow White and the Huntsman, I believe I’ll probably enjoy this more then Mirror Mirror but perhaps I’m speaking too soon. Mirror Mirror might, MIGHT, absolutely rock.
Enjoy:
The Hunger Games Trailer 2
Here is a new trailer for The Hunger Games.
Again, it looks interesting but then looks aren't everything, we'll just have to see.
Again, it looks interesting but then looks aren't everything, we'll just have to see.
Labels:
Hunger Games
Tuesday, February 7, 2012
Ultra Hip TV Episode of the Week: Masters of Science Fiction: A Clean Escape
Masters of Science Fiction was a short-lived program but it was also an exceptional one. Of the six episodes made for the show this is certainly one of the best. I'm still unable to get my head around how they were able to hold off trickling in information the audience needed to know until the end without hinting about it too much in the beginning or the middle. Viewer who are fans of good Science Fiction will want to watch this particular program and be mesmerized by it.
The world of A Clean Escape is a tragic one to say the least. I’ve always believed, the people who live in a world of ashes are going to have to learn that sometimes the best escape from such a place is in your own mind.
This episode is based on a 1986 short story by John Kessel, a master of the genre. I clearly remember reading or, more to the point, listening to the story some years before. Most who have yet to read it, I assure you, will not soon be forgetting such a powerful morality tale with an ending that is an emotional drop-kick. A few changes were made in the episode from the original story however it is still a wonderful piece of Television about loss and redemption, about pain and forgetfulness and what most humans would call real suffering.
A Clean Escape starts with an interview.
A man named Robert Havelmann (Sam Waterston) walks into a conference room and sees a woman Deanna Evans (Judy Davis) behind a desk. Deanna is hostile, and she begins asking questions about Havelmann, things he does not remember doing personally, terrible things. He has literally forgotten the last 25 years of his life. He knows who he is, but he doesn't know what he is.
Deanna doesn't believe Havelmann has amnesia, she wants the truth and she wants it now.
Havelmann, as we gradually learn, has power in the government, be it small, and yet we don't know what kind of power he holds after the point of his forgetfulness.
The episode is told from the viewpoint of Deanna. She, like everyone else, is trapped in a kind of huge bunker, shielded from the world. We can make our own mind's up about why this is, why Deanna is dying, why everyone else around her is slowly dying as well, why she has this massive chip on her shoulder for this Havelmann character.
The end of A Clean Escape is melancholy and quite emotional. I actually had to hold back tears seeing the truth about these characters finally come to the surface. For a first episode of the TV show, any episode of a show to do this to me is quite astounding.
Find it wherever you can and watch it.
The world of A Clean Escape is a tragic one to say the least. I’ve always believed, the people who live in a world of ashes are going to have to learn that sometimes the best escape from such a place is in your own mind.
This episode is based on a 1986 short story by John Kessel, a master of the genre. I clearly remember reading or, more to the point, listening to the story some years before. Most who have yet to read it, I assure you, will not soon be forgetting such a powerful morality tale with an ending that is an emotional drop-kick. A few changes were made in the episode from the original story however it is still a wonderful piece of Television about loss and redemption, about pain and forgetfulness and what most humans would call real suffering.
A Clean Escape starts with an interview.
A man named Robert Havelmann (Sam Waterston) walks into a conference room and sees a woman Deanna Evans (Judy Davis) behind a desk. Deanna is hostile, and she begins asking questions about Havelmann, things he does not remember doing personally, terrible things. He has literally forgotten the last 25 years of his life. He knows who he is, but he doesn't know what he is.
Deanna doesn't believe Havelmann has amnesia, she wants the truth and she wants it now.
Havelmann, as we gradually learn, has power in the government, be it small, and yet we don't know what kind of power he holds after the point of his forgetfulness.
The episode is told from the viewpoint of Deanna. She, like everyone else, is trapped in a kind of huge bunker, shielded from the world. We can make our own mind's up about why this is, why Deanna is dying, why everyone else around her is slowly dying as well, why she has this massive chip on her shoulder for this Havelmann character.
The end of A Clean Escape is melancholy and quite emotional. I actually had to hold back tears seeing the truth about these characters finally come to the surface. For a first episode of the TV show, any episode of a show to do this to me is quite astounding.
Find it wherever you can and watch it.
Joe's Writing Update: 2/7/2012
Have you ever had one of those weeks where everything you do doesn't seem to please yourself or anyone else? Ever have a seven day phase where every detail of your life seems to fade into oblivion and the overall core of your being is tangle with missed opportunities and memories of mediocrity? Or, and this is probably the truth:
God is on her period and she's using you as a human tampon?
Yeah, I'm going to burn for that but it was a good line.
Seven days have passed with one misery after another which were quite nasty and hysterical to the more morbid and good-humored mind. I'm not going to go into every single detail of what went wrong but I will talk about three, the really, really bad ones.
First and foremost I've been injured recently. This injury was brought upon by myself and was so stupid I can barely talk about it without laughing or having others laugh at me.
I have a game called Fruit Ninja Kinect which I play often but I'm considering never using it on my X-Box account again. Cutting through the air with your arms like a cloaked assassin slicing invisible fruit is not safe people, case in point, I cut through the air so hard I pulled, not just one but BOTH of my shoulder blades. I couldn't type without pain for a period of twenty four hours. Hence can't type, therefore can't write, ergo I'm depressed.
Ha, ha, get your giggles in now, call me a dipshit, I don't care but it's true.
The Ultra Hip Book Reviews were delayed for a day so I could get better. I managed to crawl out of my warm, comfy bed and do the job. I wasn't going to let my readers hanging and I certainly wasn't going to be one of those people who promises something and doesn't come through. Even as I was injured I still managed to do a pretty good job on it, at least I thought but who the hell am I, I'm just the writer.
If you read the piece the first few days it was out you might have seen mistakes. Sorry, the pain and stupidity was just too heavy a burden on my mind. Even my proofreader - unpaid by the way and which he keeps reminding me of his lack of funds, it was Super Bowl (TM) week and media day is very important to him - didn't notice them right away but it wasn't his fault, mistakes just come through the cracks even when you want to see them. I didn't see the mistakes myself until three days after the piece was posted.
Also, and I don't want to dwell on this very long but if any of you out there i.e. the followers of this blog, notice any mistakes which needs corrected, from spelling to things which just don't make sense please, I welcome you to email me so I can have them corrected. Yes, I'm a writer but I'm also a human being and human beings make mistakes i.e. the fruit game which nearly crimpled me.
The second issue which happened over the last week nearly killed me as a blogger. I've already written about this on a previous blog post.
It turns out again, dipshit moi.
While using Google Plus, I erased the photo journal on the social networking site and instead of it just removing the pictures from Plus, it erased all my photos across all my Google-used applications.
So, what you'll see in the blog posts, if you go further back in time on the site, is a large sections of post with no photos (I erased them because there were just showing a big exclamation point which replaced them) and then around the mid-point of 2010 you'll see almost every blog post with a picture. I wasn't going to go through all the post which had exclamation points and replace it with a picture. If I did that it would have taken longer to do then simply getting rid of them, which I did by hand. From now on, to make the blog a little easier to load and because it takes too much time anyway, when I post a piece to the blog it will no longer include a picture. The pieces I've always written will still be on the blog, same as they've been before, only without a visual.
Now, here is something which is not my fault but needs corrected very soon.
Issue number three: My cat, Willow, loves me.
She loves me so much, she will come into my room, go behind my TV stand, right by my X-Box and toy with me whether or not she will relieve herself near all my appliances as a joke. For her own safety I try to keep her out. She’ll be electrocuted to death for one and two, well that’s my baby, my X-Box I mean.
She's a wily one that cat.
I try closing the door but she still manages to get pass my security (my key lock, door stump, and my foot when I try to stop her from entering but not to hurt her.)
So, besides being wily, she is Houdini, an offensive lineman and a Navy Seal all in one.
I love Willow to death, which will happen if she even lets one miserable, stinky drop near by beloved game system. So far nothing like this has happen but then again, it's not so much her doing the deed, she just likes to screw with me. I never met a sadistic cat but Willow is very close to that definition.
So, that's what’s been happening these past few days. It sucked, on multiple levels. Please, keep reading, I'm in this for the long haul and I hope you are too.
It's not everyday you get to read stuff like this.
God is on her period and she's using you as a human tampon?
Yeah, I'm going to burn for that but it was a good line.
Seven days have passed with one misery after another which were quite nasty and hysterical to the more morbid and good-humored mind. I'm not going to go into every single detail of what went wrong but I will talk about three, the really, really bad ones.
First and foremost I've been injured recently. This injury was brought upon by myself and was so stupid I can barely talk about it without laughing or having others laugh at me.
I have a game called Fruit Ninja Kinect which I play often but I'm considering never using it on my X-Box account again. Cutting through the air with your arms like a cloaked assassin slicing invisible fruit is not safe people, case in point, I cut through the air so hard I pulled, not just one but BOTH of my shoulder blades. I couldn't type without pain for a period of twenty four hours. Hence can't type, therefore can't write, ergo I'm depressed.
Ha, ha, get your giggles in now, call me a dipshit, I don't care but it's true.
The Ultra Hip Book Reviews were delayed for a day so I could get better. I managed to crawl out of my warm, comfy bed and do the job. I wasn't going to let my readers hanging and I certainly wasn't going to be one of those people who promises something and doesn't come through. Even as I was injured I still managed to do a pretty good job on it, at least I thought but who the hell am I, I'm just the writer.
If you read the piece the first few days it was out you might have seen mistakes. Sorry, the pain and stupidity was just too heavy a burden on my mind. Even my proofreader - unpaid by the way and which he keeps reminding me of his lack of funds, it was Super Bowl (TM) week and media day is very important to him - didn't notice them right away but it wasn't his fault, mistakes just come through the cracks even when you want to see them. I didn't see the mistakes myself until three days after the piece was posted.
Also, and I don't want to dwell on this very long but if any of you out there i.e. the followers of this blog, notice any mistakes which needs corrected, from spelling to things which just don't make sense please, I welcome you to email me so I can have them corrected. Yes, I'm a writer but I'm also a human being and human beings make mistakes i.e. the fruit game which nearly crimpled me.
The second issue which happened over the last week nearly killed me as a blogger. I've already written about this on a previous blog post.
It turns out again, dipshit moi.
While using Google Plus, I erased the photo journal on the social networking site and instead of it just removing the pictures from Plus, it erased all my photos across all my Google-used applications.
So, what you'll see in the blog posts, if you go further back in time on the site, is a large sections of post with no photos (I erased them because there were just showing a big exclamation point which replaced them) and then around the mid-point of 2010 you'll see almost every blog post with a picture. I wasn't going to go through all the post which had exclamation points and replace it with a picture. If I did that it would have taken longer to do then simply getting rid of them, which I did by hand. From now on, to make the blog a little easier to load and because it takes too much time anyway, when I post a piece to the blog it will no longer include a picture. The pieces I've always written will still be on the blog, same as they've been before, only without a visual.
Now, here is something which is not my fault but needs corrected very soon.
Issue number three: My cat, Willow, loves me.
She loves me so much, she will come into my room, go behind my TV stand, right by my X-Box and toy with me whether or not she will relieve herself near all my appliances as a joke. For her own safety I try to keep her out. She’ll be electrocuted to death for one and two, well that’s my baby, my X-Box I mean.
She's a wily one that cat.
I try closing the door but she still manages to get pass my security (my key lock, door stump, and my foot when I try to stop her from entering but not to hurt her.)
So, besides being wily, she is Houdini, an offensive lineman and a Navy Seal all in one.
I love Willow to death, which will happen if she even lets one miserable, stinky drop near by beloved game system. So far nothing like this has happen but then again, it's not so much her doing the deed, she just likes to screw with me. I never met a sadistic cat but Willow is very close to that definition.
So, that's what’s been happening these past few days. It sucked, on multiple levels. Please, keep reading, I'm in this for the long haul and I hope you are too.
It's not everyday you get to read stuff like this.
Labels:
Exclamation mark,
Fruit Ninja,
Google,
Google+,
Ninja Kinect,
Super Bowl,
Xbox
John Carter Super Bowl Commercial
If you missed the Super Bowl (and by the insane ratings for the game I bet you didn't) here is a good commercial you might have missed if you were on a snack break.
It's John Carter.
It's John Carter.
Labels:
John Carter,
Super Bowl XLVI
Monday, February 6, 2012
Kingdoms of Amalur: Reckoning Launch Trailer
Here is the Launch Trailer for Kingdoms of Amalur: Reckoning:
Friday, February 3, 2012
Alert, Alert, Important Note from the Ultra Hip Glorfied Writer
Dear Readers of the Ultra Hip Gloried Writer:
If you’ve been seeing some annoying exclamation points on some of the images on the blog posts, this is because of a major user error had erased all my images from Saturday, July 2010 (Post Title: Happy 25th Anniversary Amiga!) until now. When I erased an photo album from my Google Plus I had no idea it would have erased them from my blog as well. Well, now I have some work ahead of me. I’m going to give myself a few days off where by I can fix the issue.
Sorry folks. This has not been a good week.
Joseph Lewis Szabo III (aka pointman74250)
If you’ve been seeing some annoying exclamation points on some of the images on the blog posts, this is because of a major user error had erased all my images from Saturday, July 2010 (Post Title: Happy 25th Anniversary Amiga!) until now. When I erased an photo album from my Google Plus I had no idea it would have erased them from my blog as well. Well, now I have some work ahead of me. I’m going to give myself a few days off where by I can fix the issue.
Sorry folks. This has not been a good week.
Joseph Lewis Szabo III (aka pointman74250)
Thursday, February 2, 2012
Ultra Hip Book Reviews: January
Even though the best ideas exist in the human mind, with books the notions of one person will exist in the minds of others as well. If books had never been invented or even considered, mankind would never be at the stage of development we are currently at now. Life would be shorter, time would just be a large part of what we call suffering and people wouldn't be able to see the similarities we share as a race, a culture or just good and decent people. Books are the very life force of our species. It's time for:
Three Books I Recently Finished That Will Pleasure Your Eyeballs.
One: Dracula by Bram Stoker.
Do I really have to convince you to read Dracula? Come on now.
It's not as if it's a hard book to find especially in the age of the internet, where you can discover the text on Amazon and Project Gutenberg, for free I might add. I've heard some people say they were afraid to read this book. At first I assumed it was because of the fear they'd experience reading a story about a vampire. Then, I realized that wasn't it at all: they were afraid to read it because it was an “older” book.
Let me tell you something folks: Even though how we use language changes over time the people who write those words are the same as you or I. They had their own issues, respectively of their own time and life the same as you and I have them today. They tried to use those problems to write fiction which would give you future readers lessons about their lives, their time and very nature of the human heart.
Hearts don't change, they are still filled with light and dark.
With Dracula, there is a lot of dark.
The novel is written as a series of documents, the most important of which is the letters and diary entries of one Jonathan Harker, a business man living in the 19th Century where the book Dracula takes place. Harker is traveling to Transylvania where a Count has been buying up some land in London and needs to sign off on contracts in order to make it official. The exact reasons why the Count needs these lands, his true motive, is not yet known to the reader or Harker yet, but it will soon come out that Count Dracula, as you may already know, is not the best of men. For Dracula isn't even a man at all and the darkness which covers his land will soon cover England as well.
Those who have read Dracula, those I know in my life, seem to either love or hate it and there is usually nowhere in-between. For me, as a child reading of the vampire count, I found myself up many a late night trying to finished it my third time around because it was a very thrilling and frightening novel. I suppose I can't say you'll have a good time reading the book, because I don't know how every human taste goes. I will say, however, by reading Dracula you'll at least be experiencing a book which may peak your interest and even more so, scare the bejesus out of you.
Two: Crisis on Infinite Earth by Marv Wolfman and George Perez.
If you were a fan of the DC Universe Circa 1984, before Marv Wolfman and George Perez wrote Crisis on Infinite Earth, you might be confused as hell as to why some DC characters did certain feats outside how they were initially introduced, or why certain situation with characters didn't quite make sense. If you thought keeping up with this mess was hard as a reader, imagine what it was like for the people who had to write these comics; there must have been a red puddle directly underneath them after their brain exploded.
Crisis on Infinite Earth changed the DC playing field. It's a damn good story, one which not only explained why characters acted and did what they did but also rebooted every franchise in the DC Universe.
The series tells of two God-like beings known as Monitor and Anti-Monitor. Monitor is trying to save all the planets in the Multiverse which is being threaten by Anti-Monitor. Monitor is using everything in his arsenal he can find, which is the superheroes and even some of the villains of the world in the varies Earths of the Multiverse, beings like Earth-Two Superman, The Flash and Alexander Luthor of Earth-Three (a good guy). What happens in the comic will change the face of all the Earths. Even with all the help Monitor has it will be a miracle if they can save their worlds. But is saving them really going to make a difference. Perhaps something else entirely is needed.
The dialogue in this series might not be the best ever written. However, what makes Crisis on Infinite Earth so astounding is the breathtaking artwork and how the piece makes sense out of all the heroes and villains that weren't consistent for many years. It is a great focal point for what has and has not yet come to be. It literally changed the comics we loved as children and adults.
Three: Do Androids Dream of Electric Sheep? by Philip K. Dick.
Do Androids Dream of Electric Sheep is a 1968 novel by Philip K. Dick, a master at using technology in his novels to show that perhaps reality is not quite what it seems.
The novel takes place in a future 1992 when Earth has been devastated by World War Terminus. The protagonist is a bounty hunter named Rick Deckard, who is seeking to “retire” six Nexus-6 android models, one of whom is Rachael Rosen. Rachael lives within the Rosen industries building, is given an empathy test by Deckard and is found out to be an android, only she doesn't know it and maybe as close to human as a machine can be.
Deckard is still trying to come to grips with the fact he almost murdered an opera singer who was also an android. The idea of trying to kill another one makes him even more depressed then he usually would be living in a world plagued by death.
An important side-story in the piece regards J.R. Isidore, a “special” with a small IQ and who comes into contact with a copy android of Rachael named Pris.
Pris convinces Isisdore, with the help of her friends to trap Deckard and kill him when Deckard comes to retire them.
Like most PKD stories, Do Android Dream of Electric Sheep is well written, often times perplexing but still very entertaining. Its message is unique even for a strange science fiction novel. After the last page read of Do Androids Dream of Electric Sheep, I still wanted to know what happen to these characters and how they got on with the miserable lives they lead in a world were human beings are not that different from machines.
It is one of PKD's best works.
Read!
Three Books I Recently Finished That Will Pleasure Your Eyeballs.
One: Dracula by Bram Stoker.
Do I really have to convince you to read Dracula? Come on now.
It's not as if it's a hard book to find especially in the age of the internet, where you can discover the text on Amazon and Project Gutenberg, for free I might add. I've heard some people say they were afraid to read this book. At first I assumed it was because of the fear they'd experience reading a story about a vampire. Then, I realized that wasn't it at all: they were afraid to read it because it was an “older” book.
Let me tell you something folks: Even though how we use language changes over time the people who write those words are the same as you or I. They had their own issues, respectively of their own time and life the same as you and I have them today. They tried to use those problems to write fiction which would give you future readers lessons about their lives, their time and very nature of the human heart.
Hearts don't change, they are still filled with light and dark.
With Dracula, there is a lot of dark.
The novel is written as a series of documents, the most important of which is the letters and diary entries of one Jonathan Harker, a business man living in the 19th Century where the book Dracula takes place. Harker is traveling to Transylvania where a Count has been buying up some land in London and needs to sign off on contracts in order to make it official. The exact reasons why the Count needs these lands, his true motive, is not yet known to the reader or Harker yet, but it will soon come out that Count Dracula, as you may already know, is not the best of men. For Dracula isn't even a man at all and the darkness which covers his land will soon cover England as well.
Those who have read Dracula, those I know in my life, seem to either love or hate it and there is usually nowhere in-between. For me, as a child reading of the vampire count, I found myself up many a late night trying to finished it my third time around because it was a very thrilling and frightening novel. I suppose I can't say you'll have a good time reading the book, because I don't know how every human taste goes. I will say, however, by reading Dracula you'll at least be experiencing a book which may peak your interest and even more so, scare the bejesus out of you.
Two: Crisis on Infinite Earth by Marv Wolfman and George Perez.
If you were a fan of the DC Universe Circa 1984, before Marv Wolfman and George Perez wrote Crisis on Infinite Earth, you might be confused as hell as to why some DC characters did certain feats outside how they were initially introduced, or why certain situation with characters didn't quite make sense. If you thought keeping up with this mess was hard as a reader, imagine what it was like for the people who had to write these comics; there must have been a red puddle directly underneath them after their brain exploded.
Crisis on Infinite Earth changed the DC playing field. It's a damn good story, one which not only explained why characters acted and did what they did but also rebooted every franchise in the DC Universe.
The series tells of two God-like beings known as Monitor and Anti-Monitor. Monitor is trying to save all the planets in the Multiverse which is being threaten by Anti-Monitor. Monitor is using everything in his arsenal he can find, which is the superheroes and even some of the villains of the world in the varies Earths of the Multiverse, beings like Earth-Two Superman, The Flash and Alexander Luthor of Earth-Three (a good guy). What happens in the comic will change the face of all the Earths. Even with all the help Monitor has it will be a miracle if they can save their worlds. But is saving them really going to make a difference. Perhaps something else entirely is needed.
The dialogue in this series might not be the best ever written. However, what makes Crisis on Infinite Earth so astounding is the breathtaking artwork and how the piece makes sense out of all the heroes and villains that weren't consistent for many years. It is a great focal point for what has and has not yet come to be. It literally changed the comics we loved as children and adults.
Three: Do Androids Dream of Electric Sheep? by Philip K. Dick.
Do Androids Dream of Electric Sheep is a 1968 novel by Philip K. Dick, a master at using technology in his novels to show that perhaps reality is not quite what it seems.
The novel takes place in a future 1992 when Earth has been devastated by World War Terminus. The protagonist is a bounty hunter named Rick Deckard, who is seeking to “retire” six Nexus-6 android models, one of whom is Rachael Rosen. Rachael lives within the Rosen industries building, is given an empathy test by Deckard and is found out to be an android, only she doesn't know it and maybe as close to human as a machine can be.
Deckard is still trying to come to grips with the fact he almost murdered an opera singer who was also an android. The idea of trying to kill another one makes him even more depressed then he usually would be living in a world plagued by death.
An important side-story in the piece regards J.R. Isidore, a “special” with a small IQ and who comes into contact with a copy android of Rachael named Pris.
Pris convinces Isisdore, with the help of her friends to trap Deckard and kill him when Deckard comes to retire them.
Like most PKD stories, Do Android Dream of Electric Sheep is well written, often times perplexing but still very entertaining. Its message is unique even for a strange science fiction novel. After the last page read of Do Androids Dream of Electric Sheep, I still wanted to know what happen to these characters and how they got on with the miserable lives they lead in a world were human beings are not that different from machines.
It is one of PKD's best works.
Read!
Tuesday, January 31, 2012
Note of Importance Regarding The Ultra Hip Book Reviews
Dear Readers of The Ultra Hip Glorified Writer:
I just wanted to let everyone know the Ultra Hip Book Reviews for January will be delayed by at least two days as I am not feeling my best and need to rest if I’m going to post a good article. This will not be an on going habit every month where I will be delaying normal postings. You will see future Book Reviews at the end of every month at the usually time. However, for this month, like I said, I’m not able to get it finished on the time I set for myself. Sorry again for the inconvenience but right now I need to get better.
Sincerely,
Joseph Lewis Szabo III (aka pointman74250)
I just wanted to let everyone know the Ultra Hip Book Reviews for January will be delayed by at least two days as I am not feeling my best and need to rest if I’m going to post a good article. This will not be an on going habit every month where I will be delaying normal postings. You will see future Book Reviews at the end of every month at the usually time. However, for this month, like I said, I’m not able to get it finished on the time I set for myself. Sorry again for the inconvenience but right now I need to get better.
Sincerely,
Joseph Lewis Szabo III (aka pointman74250)
Monday, January 30, 2012
Ultra Hip Classic Movie Review: Minority Report
Minority Report.
Rating: ****
There are so many gripping, heartbreaking, visually arresting moments in Steven Spielberg's Minority Report that once you get them into your mind they are hard to forget…and why would you? Never have I seen a film use so many themes - loss, revenge, motivation, crime, privacy, The Future of Humanity - and still manage to entertain as thoroughly. There were three scenes in the entire film that made me leaned forward in my seat with excitement; moments when I cried for the characters when their past was just too much for them; instances where I couldn't stop watching the screen even when the scenes were emotionally heart wrenching. I refused to turn away while watching Minority Report because I was so enthralled by the story of these people, this future, this film.
Minority Report was based on a short story by the great Philip K. Dick. While it doesn't quite follow the exact plot of the original text, it does show the usual emotions associated with the writing of the author: paranoia and the mass panic created by technology on society.
The film stars Tom Cruise, in the best performance he has ever given, as John Anderton, a Washington D.C. Police Chief in the year 2056. Anderton is in charge of an agency known as Pre-Crime. The agency is responsible for monitoring murders and stopping them before they happen.
Three psychics - one female (Agatha) and two males (Arthur and Dashiell) - are the heart of the agency for they are able to see when and where murders are going to take place, giving the police time to get there ahead of the crime. These Precogs, as they are known, don't exactly have a choice to work for the agency. They are sedated with drugs, are kept in a pool of water and are always "on duty".
The Pre-Crime Agency are arresting and convicting people who haven't necessarily committed a crime, and yet perps are locked away in a technological prison where they are given “Halos” that makes them relive their so called offenses over and over again.
There is no such thing as civil liberties in this future. The very idea of killing someone is enough to get you locked away for the rest of your life. It doesn't help matters that privacy is a thing of the past, where just by walking down a street corner a computer can scan your eyes and know exactly who you are. Sure, this is great for businesses who want to sell you something every second of every day but terrible for people who simply want to be left alone and unmonitored. If the police or FBI really wanted to know who you are, what you've bought and what kind of life you lead they can do so almost immediately, which is scary as hell and is becoming truer and truer in our own internet-based world.
The characters in Minority Report are complex and very human. Anderton, while the Precogs are seeing the future, he is constantly reliving the past, in a manner of speaking. His son was taken from him at a public pool some years ago and he spends his nights looking at old vids of his child, his ex-wife and the dream of life they had so many years before, all the while putting into his body a futuristic, illegal drug so he can forget his pain. Some would called his actions self-deluding of the highest order but you try losing your baby and see how you turn out.
Anderson's ex-wife Lara (Kathryn Morris) is trying to rebuild a life for herself after the taking of her son. She didn't stop loving her husband but as she says in the film, “Every time I see him I see my little boy.”
Another character that plays an important role in the film is Agatha (Samantha Morton), one of the Precogs. She has experienced loss herself and it's not until about the mid-point of the film do we learn what her loss is.
The main antagonist of the film is Danny Witwer (Colin Farrell), who works for the Department of Justice and is checking up on the Pre-Crime Division and makes for a very real threat to Anderton.
And then there is the Max von Sydow character who is Anderton's boss and friend, who loves Pre-Crime and will do whatever it takes to make it work.
The Pre-Crime Agency was so successful in the Washington D.C. area - eliminating all murders in the state capital - the DOJ wants it spread to all major cities in the United States. However, there is a problem, or more so just an annoyance: Anderton is starting to question a particular attempted murder which happened long ago and comes to believe the perpetrator is innocent. After messing around where he shouldn't have been, Anderton suddenly finds himself up on charges for a murder he has not yet committed. This leads to a wonderful chase where Anderton must run from Witwer and the people he trained in Pre-Crime. Anderton must clear himself and the only way to do so is the find the Minority Report, which shows the Precogs don't always agree on future events and perhaps having this information will explain his innocent.
One of the things about Neo-Noir Science Fiction I never quite understood is why are the cities so dark and dirty. I know the word Noir means black but to me that always meant a feeling, not a visual style. Here, in Minority Report, everything looks bright, clean, new, pristine. From cars, to powerful, future computers that could be a realization in the next few years (Kinect), to the very weapons people uses, it appears as if it just got off the Steve Jobs assembly line. It is a very different kind of future you just don't see in most films with first rate special effects using both old and new methods to create a world which is believable and scary at the same time.
The film was adapted by one of the best screenwriters working in the medium today, Scott Frank. If you've seen Out of Sight starring George Clooney a few years back and his most recent film The Lookout with Joseph Gordon-Levitt then you might know his name. He is a fantastic writer that speaks truth about both the dark and light in the human heart.
Tom Cruise, again is at the top of his game. There are moments where I didn't see Cruise the star at all but a real person.
And who could forget the great Steven Spielberg, a master filmmaker better then he ever was. It's his best Science Fiction outing since Close Encounters of the Third Kind, even though that film is quite different from Minority Report.
Minority Report is an utterly great film. Just be sure to watch it again after the first viewing, you'll find things you might have missed the first time around. Then watch it again because it is so damn good.
There is just so much here to love in this movie.
Rating: ****
There are so many gripping, heartbreaking, visually arresting moments in Steven Spielberg's Minority Report that once you get them into your mind they are hard to forget…and why would you? Never have I seen a film use so many themes - loss, revenge, motivation, crime, privacy, The Future of Humanity - and still manage to entertain as thoroughly. There were three scenes in the entire film that made me leaned forward in my seat with excitement; moments when I cried for the characters when their past was just too much for them; instances where I couldn't stop watching the screen even when the scenes were emotionally heart wrenching. I refused to turn away while watching Minority Report because I was so enthralled by the story of these people, this future, this film.
Minority Report was based on a short story by the great Philip K. Dick. While it doesn't quite follow the exact plot of the original text, it does show the usual emotions associated with the writing of the author: paranoia and the mass panic created by technology on society.
The film stars Tom Cruise, in the best performance he has ever given, as John Anderton, a Washington D.C. Police Chief in the year 2056. Anderton is in charge of an agency known as Pre-Crime. The agency is responsible for monitoring murders and stopping them before they happen.
Three psychics - one female (Agatha) and two males (Arthur and Dashiell) - are the heart of the agency for they are able to see when and where murders are going to take place, giving the police time to get there ahead of the crime. These Precogs, as they are known, don't exactly have a choice to work for the agency. They are sedated with drugs, are kept in a pool of water and are always "on duty".
The Pre-Crime Agency are arresting and convicting people who haven't necessarily committed a crime, and yet perps are locked away in a technological prison where they are given “Halos” that makes them relive their so called offenses over and over again.
There is no such thing as civil liberties in this future. The very idea of killing someone is enough to get you locked away for the rest of your life. It doesn't help matters that privacy is a thing of the past, where just by walking down a street corner a computer can scan your eyes and know exactly who you are. Sure, this is great for businesses who want to sell you something every second of every day but terrible for people who simply want to be left alone and unmonitored. If the police or FBI really wanted to know who you are, what you've bought and what kind of life you lead they can do so almost immediately, which is scary as hell and is becoming truer and truer in our own internet-based world.
The characters in Minority Report are complex and very human. Anderton, while the Precogs are seeing the future, he is constantly reliving the past, in a manner of speaking. His son was taken from him at a public pool some years ago and he spends his nights looking at old vids of his child, his ex-wife and the dream of life they had so many years before, all the while putting into his body a futuristic, illegal drug so he can forget his pain. Some would called his actions self-deluding of the highest order but you try losing your baby and see how you turn out.
Anderson's ex-wife Lara (Kathryn Morris) is trying to rebuild a life for herself after the taking of her son. She didn't stop loving her husband but as she says in the film, “Every time I see him I see my little boy.”
Another character that plays an important role in the film is Agatha (Samantha Morton), one of the Precogs. She has experienced loss herself and it's not until about the mid-point of the film do we learn what her loss is.
The main antagonist of the film is Danny Witwer (Colin Farrell), who works for the Department of Justice and is checking up on the Pre-Crime Division and makes for a very real threat to Anderton.
And then there is the Max von Sydow character who is Anderton's boss and friend, who loves Pre-Crime and will do whatever it takes to make it work.
The Pre-Crime Agency was so successful in the Washington D.C. area - eliminating all murders in the state capital - the DOJ wants it spread to all major cities in the United States. However, there is a problem, or more so just an annoyance: Anderton is starting to question a particular attempted murder which happened long ago and comes to believe the perpetrator is innocent. After messing around where he shouldn't have been, Anderton suddenly finds himself up on charges for a murder he has not yet committed. This leads to a wonderful chase where Anderton must run from Witwer and the people he trained in Pre-Crime. Anderton must clear himself and the only way to do so is the find the Minority Report, which shows the Precogs don't always agree on future events and perhaps having this information will explain his innocent.
One of the things about Neo-Noir Science Fiction I never quite understood is why are the cities so dark and dirty. I know the word Noir means black but to me that always meant a feeling, not a visual style. Here, in Minority Report, everything looks bright, clean, new, pristine. From cars, to powerful, future computers that could be a realization in the next few years (Kinect), to the very weapons people uses, it appears as if it just got off the Steve Jobs assembly line. It is a very different kind of future you just don't see in most films with first rate special effects using both old and new methods to create a world which is believable and scary at the same time.
The film was adapted by one of the best screenwriters working in the medium today, Scott Frank. If you've seen Out of Sight starring George Clooney a few years back and his most recent film The Lookout with Joseph Gordon-Levitt then you might know his name. He is a fantastic writer that speaks truth about both the dark and light in the human heart.
Tom Cruise, again is at the top of his game. There are moments where I didn't see Cruise the star at all but a real person.
And who could forget the great Steven Spielberg, a master filmmaker better then he ever was. It's his best Science Fiction outing since Close Encounters of the Third Kind, even though that film is quite different from Minority Report.
Minority Report is an utterly great film. Just be sure to watch it again after the first viewing, you'll find things you might have missed the first time around. Then watch it again because it is so damn good.
There is just so much here to love in this movie.
Subscribe to:
Posts (Atom)






















